{"id":8342,"date":"2023-05-31T10:41:55","date_gmt":"2023-05-31T08:54:17","guid":{"rendered":"https:\/\/www.ccrdigital-lab.it\/?post_type=product&p=8342"},"modified":"2023-07-04T15:32:09","modified_gmt":"2023-07-04T13:32:09","slug":"reformulating-beva-371","status":"publish","type":"product","link":"https:\/\/www.ccrdigital-lab.it\/en\/prodotto\/reformulating-beva-371\/","title":{"rendered":"Reformulating BEVA\u2122 371"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"

Please join us on July 4th, 9:15 am CEST for a one-day seminar and discussion around \u201cReformulating BEVA\u2122 371.\u201d This seminar will include discussions on the development of Beva 371, what makes the ethylene vinyl acetate copolymer a unique lining adhesive for paintings on canvas, and how the currently available Beva 371, which replaced the original in commercial production about 15 years ago, differs from the original copolymer\u2019s performance. Speakers will introduce new formulations being developed jointly with conservators and scientists (referred to as the \u201cAkron formulations\u201d), which are designed to emulate the performance of the original lining adhesive first used in 1970. The Akron formulations have approximately the same low-temperature setting attributes as the original Beva 371. In addition to presenting work on developing viscous solutions and solvent-free films, we will be discussing other innovations in making the Akron formulation more sustainable. This project is a collaboration between the Conservation Center of the Institute of Fine Arts, New York University and University of Akron\u2019s Polymer Chemistry and Polymer Engineering program. This project is indebted to the cooperation of CPC and CTS, current suppliers of Beva 371 to the US and EU, who we hope to continue working with to disseminate this material to the conservation community. It has been generously supported by the Getty Foundation as part of its Conserving Canvas initiative.
\nImage: courtesy of the Conservation Studio of the Guggenheim Museum, New York<\/em>
\nProgram: <\/strong><\/p>\n

9:15 – Welcome<\/p>\n

9:20 – Introduction, Justification and Goals – Chris McGlinchey<\/p>\n

9:50 – Adhesion Principles of Thermoplastics Polymers – Ali Dhinojwala<\/p>\n

10:40 – BEVA 371 at the 1974 Greenwich Conference on Comparative Lining Techniques: A pivotal moment – Chris McGlinchey<\/p>\n

11:20 – Discussion: Q and A, lining and balancing the aesthetic and engineering needs of a painting.<\/p>\n

12:20-13:30 – Lunch break<\/p>\n

13:30 – Discussion: Selecting from the palette of lining adhesives and methods based upon considerations inherent to the painting.<\/p>\n

14:00 – Deconstructing and Reconstructing Beva 371 (Rebecca Ploeger)<\/p>\n

14:40 – Break<\/p>\n

15:00 – The Akron Formulations of Beva 371: Screening candidates & exploring new ways to process it. (Dharamdeep Jain)<\/p>\n

16:00 – Group discussion<\/p>\n","protected":false},"featured_media":8341,"template":"","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"product_brand":[],"product_cat":[72,326],"product_tag":[],"class_list":{"0":"post-8342","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-training-en","7":"product_cat-online-en","8":"desktop-align-left","9":"tablet-align-left","10":"mobile-align-left","11":"ast-product-gallery-layout-horizontal","12":"ast-product-gallery-with-no-image","13":"ast-magnify-disabled","14":"ast-product-tabs-layout-horizontal","16":"first","17":"outofstock","18":"virtual","19":"taxable","20":"purchasable","21":"product-type-webinar"},"yoast_head":"\nReformulating BEVA\u2122 371 - CCR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ccrdigital-lab.it\/en\/prodotto\/reformulating-beva-371\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reformulating BEVA\u2122 371 - CCR\" \/>\n<meta property=\"og:description\" content=\"Please join us on July 4th, 9:15 am CEST for a one-day seminar and discussion around \u201cReformulating BEVA\u2122 371.\u201d This seminar will include discussions on the development of Beva 371, what makes the ethylene vinyl acetate copolymer a unique lining adhesive for paintings on canvas, and how the currently available Beva 371, which replaced the original in commercial production about 15 years ago, differs from the original copolymer\u2019s performance. Speakers will introduce new formulations being developed jointly with conservators and scientists (referred to as the \u201cAkron formulations\u201d), which are designed to emulate the performance of the original lining adhesive first used in 1970. The Akron formulations have approximately the same low-temperature setting attributes as the original Beva 371. In addition to presenting work on developing viscous solutions and solvent-free films, we will be discussing other innovations in making the Akron formulation more sustainable. This project is a collaboration between the Conservation Center of the Institute of Fine Arts, New York University and University of Akron\u2019s Polymer Chemistry and Polymer Engineering program. This project is indebted to the cooperation of CPC and CTS, current suppliers of Beva 371 to the US and EU, who we hope to continue working with to disseminate this material to the conservation community. It has been generously supported by the Getty Foundation as part of its Conserving Canvas initiative. Image: courtesy of the Conservation Studio of the Guggenheim Museum, New York Program: 9:15 - Welcome 9:20 - Introduction, Justification and Goals - Chris McGlinchey 9:50 - Adhesion Principles of Thermoplastics Polymers - Ali Dhinojwala 10:40 - BEVA 371 at the 1974 Greenwich Conference on Comparative Lining Techniques: A pivotal moment - Chris McGlinchey 11:20 - Discussion: Q and A, lining and balancing the aesthetic and engineering needs of a painting. 12:20-13:30 - Lunch break 13:30 - Discussion: Selecting from the palette of lining adhesives and methods based upon considerations inherent to the painting. 14:00 - Deconstructing and Reconstructing Beva 371 (Rebecca Ploeger) 14:40 - Break 15:00 - The Akron Formulations of Beva 371: Screening candidates & exploring new ways to process it. 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